Movies Detail of Nadie dijo nada (1971)
✓ Title : Nadie dijo nada
✓ Release Date : January 1st, 1971
✓ Genre : Comedy
✓ Runtime : 135 minutes
✓ Director : Raúl Ruiz
✓ Writers : Raúl Ruiz, Max Beerbohm
✓ Company : RAI
✓ Countries : Italy, Chile
✓ Cast : Shenda Román, Humberto Miranda, Carmen Lara, Carla Cristi, Luis Alarcón, Pedro Gaete, Luis Vilches, Nelson Villagra, Carlos Solanos, Jaime Vadell
✓ Release Date : January 1st, 1971
✓ Genre : Comedy
✓ Runtime : 135 minutes
✓ Director : Raúl Ruiz
✓ Writers : Raúl Ruiz, Max Beerbohm
✓ Company : RAI
✓ Countries : Italy, Chile
✓ Cast : Shenda Román, Humberto Miranda, Carmen Lara, Carla Cristi, Luis Alarcón, Pedro Gaete, Luis Vilches, Nelson Villagra, Carlos Solanos, Jaime Vadell
Synopsis of Nadie dijo nada (1971)
Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.
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◈ Nadie dijo nada Trailer Español Latino 1971 - Paranoid fiction is works of literature that explore the subjective nature of reality and how it can be manipulated by forces in power. These forces can be external, such as a totalitarian government, or they can be internal, such as a characters mental illness or refusal to accept the harshness of the world they are in.
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◈ Nadie dijo nada Pelicula Completa Español Latino Gratis - exploits or requires as plot devices or themes some contradictions of the commonplace natural world and materialist assumptions about it. It includes the traditional ghost story. The Turn of the Screw by Henry James is an example of a work of literary fiction that is also largely concerned with supernatural fiction elements, making play of the possibility that they are psychological at root, but requiring the option that they are not for effect. The newer speculative fiction genres of horror fiction and fantasy fiction, growing out of some of the basic propositions and generic conventions, to a certain extent replaced it.
◈ Nadie dijo nada Movie Full Movie Online - focuses on the politics and social order implied by libertarian philosophies with an emphasis on individualism and a limited state – and in some cases, no state whatsoever. As a genre, it can be seen as growing out of the 1971 and 1971 when the science-fiction pulp magazines were reaching their peak at the same time as fascism and communism. While this environment gave rise to dystopian novels such as George Orwells Nineteen Eighty-Four, in the pulps, this influence more often give rise to speculations about societies (or sub-groups) arising in direct opposition to totalitarianism.
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