Movies Detail of No Trespassing or Cameras Allowed (2017)
✓ Title : No Trespassing or Cameras Allowed
✓ Original Title : ممنوع الاقتراب أو التصوير
✓ Release Date : March 15th, 2017
✓ Genres : Thriller, Comedy
✓ Runtime : 106 minutes
✓ Director : Romany Saad
✓ Company : Miami Production
✓ Country : Egypt
✓ Cast : Noor Kadry, Yosra El Lozy, Bayoumi Fouad, Tarek El Ebiary, Mervat Amin
✓ Original Title : ممنوع الاقتراب أو التصوير
✓ Release Date : March 15th, 2017
✓ Genres : Thriller, Comedy
✓ Runtime : 106 minutes
✓ Director : Romany Saad
✓ Company : Miami Production
✓ Country : Egypt
✓ Cast : Noor Kadry, Yosra El Lozy, Bayoumi Fouad, Tarek El Ebiary, Mervat Amin
Synopsis of No Trespassing or Cameras Allowed (2017)
A social comedy film about Thuraya Abdeen al-Entebli (Mervat Amin) receives a court order to obtain her grandfather's villa, Entebble Pasha, which was nationalized during the period of the conventions and when she goes to receive it, she found it was transformed into a police department ... Thuraya and her family live in the police department to obtain her right, Then the events follow.
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◈ No Trespassing or Cameras Allowed Full Movie Movie - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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